Swara Bhaskar Critiques 'Padmaavat' Jauhar Scene, Career Impact


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Swara Bhaskar Critiques 'Padmaavat' Jauhar Scene, Career Impact
Swara Bhaskar Critiques 'Padmaavat' Jauhar Scene, Career Impact
Swara Bhaskar discusses the implications of the jauhar scene in 'Padmaavat', stating it adversely affected her career and sends troubling messages to survivors.

Indian actor Swara Bhaskar has sparked widespread discussion following her comments during the 'Women | Life | Freedom' talk held at the India International Centre on 31 August. Bhaskar critically addressed the jauhar scene in Sanjay Leela Bhansali’s film 'Padmaavat', claiming it conveys a detrimental message to rape survivors. "I thought that if God forbid, I was a rape survivor, what is this film telling me? I would feel like a coward if I didn’t commit suicide to save my honour," she expressed during the event.

The actor highlighted the alarming prevalence of sexual violence in Indian society, questioning whether the narrative implies that survivors do not deserve to live or that honour is equated to self-harm. She stated, "Are we saying that rape is the end of a woman’s life? This scene was so problematic."

Bhaskar revealed that her reaction to the film had significant repercussions on her career. Although she had initially defended 'Padmaavat' amidst the backlash from the Karni Sena, her decision to pen a letter to Bhansali expressing her discontent with the scene led to considerable criticism from several male directors. Many questioned her motives for speaking out on such political issues as an actress, stating that these positions could jeopardise her career.

During her candid conversation with author Sujata Prasad and actor Oroon Das at the packed auditorium, Bhaskar delved into the intersection of feminism and her experiences in the film industry. She reflected on her educational background at the University of Delhi’s Miranda House, which fostered a culture of feminism within its English department. According to her, feminism should transcend individual empowerment, recognising the institutional nature of women's oppression in various societal structures.

Feminism, she argues, is the "toughest ism" because it often necessitates confronting close relationships. "In every other ideology, the enemy is outside," she stated. "But for women, for feminism, your oppressor is your father, your brother, your husband, your boyfriend, people you love the most."

Bhaskar noted that her experiences with sexism were accentuated upon entering the film industry. Despite growing up in a progressive household, her work in cinema revealed significant disparities in treatment based on gender. She acknowledged that while her outspoken views often invoked professional risks, she has benefited from significant privileges, including a secure background and a supportive family.

"I have never had the experience of being questioned for my identity or for being shamed for my identity," she remarked, elaborating on the confidence that privilege affords her. Bhaskar articulated the moral responsibility that comes with such privilege, stating, "There are other people in India who should be scared; why should I be completely unaffected?"

The question of responsibility in activism arose as Bhaskar reflected on her visit to Gaza, emphasising the importance of bearing witness to crises. "If all we can do is bear witness, then we must witness," she said, urging individuals not to turn away in the face of adversity. Moreover, she cautioned against the notion that celebrity endorsements are necessary for validating political causes. "Do not depend on celebrities to amplify and validate causes," she advised, asserting that such movements stand fundamentally on their own.

Throughout the evening, Bhaskar shared anecdotes illuminating the interplay between fame and activism, including her encounter with Reliance chairperson Mukesh Ambani during the anti-Citizenship Amendment Act (CAA) and National Register of Citizens (NRC) protests, raising further questions about the intersection of celebrity status and serious political discourse.

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